The eXTra finGer

...''He was counting on his fingers.One two three four five six seven eight nine ten eleven.Eleven?Had he been born with an extra finger?''...

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Location: Italy

...& visit my web sites: Claudio Parentela's Official Site ''Claudio Parentela:Contemporary Art with a Freakish Taste!'' Lights&Shadows Disturbing Black Inks http://www.myspace.com/claudioparentela

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Sunday, April 29, 2007

NEW ART BLOGS!!

Hello people...I've started my new(...& yes 2 new art blogs...!)art blogs just in these days...I've already published my 3 first interviews(with Ken Garduno,Sophia Gasparian and with Matt Lock)......Therefore go soon....NOW!!!! ...to visit them...OK!!!!!!The first:''ENVY&LUst''(http://cparentela.livejournal.com/)...and the second:''LADy LaMb&Popsy''(http://ladylambandpopsy.blogsome.com/)...I'll wait you there ,ok....?
...But naturally I'll continue to publish also here on ''The eXTra finGer'' and on''foggyGRIZZLY''(http://foggygrizzly.blogspot.com)

Love&Friendship

Claudio Parentela

Wednesday, April 25, 2007

Interview with Billy Reynolds

q)Tell me something about yourself…What's your background…?

a) I grew up in an isolated desert city in Texas, and now I live in Los Angeles. Being connected to the right energy is critical.

q)When growing up what was the greatest force pushing you towards art?

a) If you question how the world is presented to you, and you ask "why" and "how", and if you do not agree with "official" statements, you are an artist, and you have to exert your mental freedom by making art.

q)Were you inspired/encouraged by any one person to pursue your craft?

a) Once you realize you can affect people with something you have created out of nothing, you are always compelled to make more work, and affect people in deeper and deeper ways.

q)How would you describe your art to someone who could not see it?

a) My art makes you think about how you are made, and the balance, or imbalance, of things.

q)Are certains colours,shapes that you're drawn to?

a) Good balance between opposites is the best.

q)What other talent would you like most to have?

a) I would like to move forwards and backwards in time.

q)What's your favourite mediums to work in/on?

a) We should always embrace real, tactile, analog mediums - mediums that we really touch with our bare hands. If we lose touch with real mediums, and only work with simulated mediums, then our future is bleak indeed.

q)What artists influence or have influenced you(these need not be visual artists)and how have they done so?

a) There are too many to list. The greatest influences come from the most sincere sources.

q)What non-visual art interest you and does this have an impact on your art?

a) Seeing live performers, drama or comedy, who tackle ideas and execute solutions in their own form of expression is always invigorating.

q)What do you think about artists using the Internet as a forum for sharing their work?

a) Use any means necessary to propagate your vision and your work.

q)What is your favourite toy,game or other artefact from your youth(and do you still own it)?

a) My oldest artifacts from childhood that I still own are about 100 keychains, from places we would visit as a family.

q)Got any new projects planned?

a) Always. One project always leads into another project. There are always side projects that gestate in secrecy.

q)What advice can you give to other artists to help them improve their chances of survival in this global village we call our home?

a) Keep your decisions based on your own instinct.

q)Favourite books/authors?

a) Alan Ginsberg, "The Old Man and the Sea", "Jonathan Livingston Seagul", Henry Rollins, "A Brief History of Time"

q)Favourite music?

a) Muse, Wolfmother, Radiohead, Nirvana - Any music that reminds us reality is not simple.

q)What do you fear most?

a) Once the ice caps melt, we will not know what to do. We won't have time to build a space ship fast enough to save everyone.

q) Your contacts:

a)Billy Reynolds, wreynoldz@yahoo.com

www.billyreynolds.com

Thank you!






Tuesday, April 17, 2007

Interview with Henriette Valium (Patrick Henley)

q)Tell me something about yourself..What's your background...?

a) Remember Trainspotting, the film? When a guy says that scottish people are the greatest assholes in the world? I don't agree with him, it's us, the french-canadians, and I'm thier great retarded king. My dum incestuous peasants parents came from a shit-hole in gaspesia and it end up for me at 48 in another shit-hole of a 1 1/2 room for $350 fucking big dollars by month in north of Montreal. And 2 years ago we were ten desesperate souls fighting to have it! 4 childs with 3 women that one after the other have let me down my freshly ripped hart in their mouth bleeding of sadness cause I'm too sensitive and I was in love with them and I've stick on my script doing my useless & priceless art instead of crawling on ground at their feets and make the same pathetik fuckin asshole life my father did so holy shit I just can't tell you how much they make you pay for it if you don't want to dirt your hands and stay a free man! Not to mention that I'm on welfare for those clowns or poets reading this and thinking that I'm living out of my crap! Montreal, still a beautiful girl despite all the stabbing in her face I've saw her getting over the years! The last 5 or 10 years here have been litterally an pandemia of goddam fucking condos... & at the top of the cake, when you think of that, in march 2007, the fucking Irak War of that goddam fuckin son-of-a-bitch en-of-race Georges W. Bush the killer rightwing space monkee (who have stolen is election!) was topping 1000 billions of $!!! 1000 billions!!!It make me want to move on mars! Shit can you realise one second how the hell of a shit what money this is !?! And for absolutely nothing! From a country that is even not able to give a pencil or a sheet of paper or a quarter of milk to a black child in a ghetto or to be on time to help people after a tropical storm... There is no democracy, or communism, or capitalism or anything else. everywhere it is mafiocracy. and if you want to change things now well you'll be poisoned by dioxyne... well... in fact I'm irish, french-canadian irish what is the worst of the worst, my real name is Patrick Henley. I'm a french speaking person, if we can call "joual" french. The "joual" is like the creole, a kind of french dialect speak in the beautifull shit-hole of "province de Québec", Canada, also called "canabec" or "quénada" at choice. That's why my english is so bad.

q)When growing what was the greatest force pushing you towards art?

a)Oh man, was it the desire to escape the hell I was in, this reality, the permanent ultimate freak show? Not the money anyway. Was it the desire to confront my father and the fear to end making the same pathetik moron life he have made? I think after all that the first time I've saw one of my drawing on a white page I've seen something that can't lie to me because I've done it, but this came to my mind years later. I draw things I even don't remember since when, and my art have completely doomed my life so after all it must be some stupid or irrational or evil forces or all of that that command me to continue suffering in silence, pain & resignation before I collapse. Art is both the storm and the shelter.

q)Were you inspired/encouraged by any one person to pursue your craft?

a)Not at the beginning! In any case not from my close family. but soon you find some congenitals freaks friends trapped in the same mud bath, and it goes on. We start little comic fanzines so then you meet new friends etc. I do paintings and comics, also now music, but at that time Bellmer and Grosz have inspired me for the painting, Hergé, Jacovitti and Crumb for the comics. Later I found others influences like Willem or Joe Coleman etc. In Bethesda in 2001 one day I met the great Willem. what a man. He came to me and say that for him I was a "real artist". I cry tears of blood since that day!

q)How would you describe your art to someone who could not see it?

a)Ultra vivid hardcore low-brow ultimate hysterical alternative underground punk art, drawings, degenerated comics, apocalyptic industrial landscape music and ultra mad dyspeptic silkscreens works!

q)Are certains colours,shapes that you're drawn to?

a)Beautiful nude babes! pink, round & fleshy lips, hass & tits! 2 or 3, maybe more, one blonde, one brunette, one black or asian or both. Tits not too big, just the good size to fit in a honest man's hand. 1:20 pm, boat at quay, beach stripes with nymphettes silhouettes in the distant sunset playing topless handball on the warm white sand, laffing, drinking, waiting for me! Percy faith greatest hits is playing (not so loud). I look at them, smiling, I'm in my early 20's & on a lasy chair, scotch glass drink and a cigarette in my left hand, a cold beer in my right, and around my nose remains of a line of good hell's angels cocaine I made in the toilet of the mansion half an hour before, looking at her and knowing holy shit that I'm gonna fuck tonight! The next day the same (but with different girls), and next day too ad infinitum ...the paradise...

q)What other talent would you like most to have?

a)Play a music instrument, like guitar or base or violin, anything. I use to be the lead singer of a band but I did'nt like that after all, so I've stop making live performance despite the fact that I really love to be on stage. But if I was knowing how to play guitar for example I'm sure I still be in a band. Now I do computer music (if you can call that music) but it's not the same that when you play live.
q)What's your favourite mediums to work in/on?

a)A big sheet of paper with technical drawing pencils. My comics are made in thicker papers. I do also comic paintings, acrylic on canvas but I prefer ink and aquarelle on paper.

q)What artists influence or have influenced you(these need not be visual artists)and how have they done so?
a)For the paintings, undoubtly it was Hans Bellmer and Georges Grosz (I'm not sure the spelling). Bellmer was a fuckin genious way, way & way ahead of his time making the most disturbing drawings and photos I ever saw in my life and it was in the '20! George Grosz, but only the period when he was in Germany confronting nazis in the mis 30'. After he had move to USA he only made shit (from what I know anyway). But the german period was completly demencial. He had made few painting with the complete premonition of the horrors that will occurs few years later with wwII. Concerning Bellmer, he died in '76, when I was 17. So it means that if at that time I had guts & more smart I can save my money and go see him in Amsterdam, let's say in '75 and shake the hand of the master! But of course it has not happens. For the comics, I first met Hergé (Tintin), and after another forgotten italian genious named Jacovitti, and of course crumb and all the underground comics authors. I met Gilbert Shelton in Paris, really a nice guy. Willem of course, a few times. I've saw a original painting of Robt T. Williams in the kitchen of Pizz in L.A.. Of course after that a lot of influences for here and there, but I can't remember all the names I've copy over the years...

q)What non-visual art interest you and does this have an impact on your art?

a)Music of course but now I can make some. animation, and my dream is one day to have a full 1 1/2 hour Valium story in computer or pixilation movie on the big screen but it is just a dream. I hate dance to death, any kind of. I use to do theater in highs school. Theater is fun but the actors crowd I just can't stand them! Some times I use photography to put in my art as base elements, but as I am an old fashioned punk I find quite hard to consider photography as an art but I know I'm wrong, it must be true. Somehow... I don't read much books but I know that the hardest thing in art from my point of view is the writing, but nothing have really influenced me so far in that field. in a certain sens, I already do cinema & poetry cause I consider comics a form of mix between them.

q)What do you think about artists using the Internet as a forum for sharing their work?

a)I don't really believe in internet. Of course it's better than nothing and can be a great way as an artist to show his works, but in a general term I think internet just make the shit running faster & spreading wider. Internet is perfect if you sell gaz stove parts, or to get any kind of informations. But one of the problems often is to know if the information you get is really true, and I don't have any gaz stove or credit card. For sex it is also not to bad, but when I start having internet I've blast my mind at the beginning going on porn site, and getting virus on my computer etc so... Concerning the artists, internet have induce a complete unbalance between offer and demand, so that's why today an image or a music song doesn't worth nothing. You should have been a painter in the '50 and a musician in the '70, but now. Can you tell me how much the hell worth a mp3 song those days? or an image? Nothing! So on one hand yes, you got a world wide exposure but on the other hand the stuff you made and/or offer doesn't worth anything anymore. I've discuss over that one day and the young man says he's gonna make a web site and offer is pottery works on line. Well, that's really nice but what will happens if I go on Google and search for "hand made pottery"I'll stumble over maybe 20,000 sites as same as the poor guy's one, all offering thier works etc., maybe some times for free! so... www.henriettevalium.com is my effort in that field.

q)What is your favourite toy,game or other artefact from your youth(and do you still own it)?

a)I use to have a chemical set, and I scrap the basement lavabo of my parents house at that time. Lego blocks was is my favourite toys when young.

q)Got any new projects planned?

a)4th may 2007 I'll be in Paris for the exhibit and the launch of L'association comic book, Monte-En-L'Air gallery, 6 rue des Panoyaux, XXème arrondissement, métro Ménilmontant . Lot's of projects are always on road with me, visual and musical, just inquire in my web site, upgrades 2 or 3 times a year.

q)What advice can you give to other artists to help them improve their chances of survival in this global village we call our home?

a)There's no chances of survival so jump the next fuckin' bridge if you're smart or go get a job & a wife, found a family and forget all about that and be happy. If you are a stupid jerk like me just go ahead and paint and do music, but remember, all around you assholes of any kind will make you pay until the end of your day just because you are free and happy! And they just can't stand that! The hardest for someone is to look at his fucking face in the mirror and admit he or she was wrong, and then make changes in his/her own pathetic life. So what they do is to make all the people surrounding them as dumb & unhappy as they are! and I'm not talking about strangers or ennemys, or arab terrorist or black ghetto killers. No. Most of the time the metal blade in your back is pushed by a close friend or your own god damn family! How the hell of a shit a guy can survive when the "global village" turn out to be a complete nightmare, when your own fuckin mother makes everything she can to dirty you and bring you down in the sewer with all the others? don't trust anyone but yourself! Be a complete paranoiac, it might make you survive! Enjoy & praise ultraloud death metal. Don't trust anybody & hate everyone! Hate! Hate!
q)Favourite books/authors?

a)Freak Brothers, all Wilhem stuff, Dennis Worden, Michael Cupperman, all the freak at "Le Dernier Cri" of Marseille like Bolino, Stue Mead, Dr Mischa Good etc, Guim, Blanquet, Rob't T. Willians, Caro Caron, Coleman and all the others I like but don't remember the name. as long it is weird and/or hard and/or unpleasant etc.

q)Favourite music?

a)I use to be a metal freak in the '90, I still listen metal with my drinking friend Guim, but in fact I listen most of everything, from Demmis Roussos to Stockausen and from Mozart to early french music. Anything goes.
q)What do you fear most?

a)To end up my life sick (what probably will happens). Death is nothing, but sickness... When you're sick you're not really alive, not really dead. You’re are just fuckin sick...

q) Your contacts...

a)Go see www.henriettevalium.com, the link page. Next upgrade this summer. also I need an adress in Venice( Italia) cause I'm dying to go see that place next year if this shitty world still running so if someone know one please tell me. Have a nice day. Big kisses.

Friday, April 13, 2007

Interview with Joshua Hagler

q)Tell me something about yourself….What’s your background…?

a)I graduated from the University of Arizona with an illustration/graphic design degree because I thought it was practical. Then I moved out to San Francisco to be an illustrator, which isn’t any more practical than any other arty thing you could do. So now I rarely do any commissioned illustration, and focus a lot more on my paintings, which suits me a lot better. I can actually make work about something that matters to me.
From about twelve years old until about twenty-one, I identified as a Born-Again Christian. I grew up in the rural Midwest and later moved to the Phoenix suburbs with my family. I was surrounded with a lot of religion in both places. In college I studied philosophy and religion whenever I could, and changed my mind about a number of things, my faith in particular. Now I make art about Christian Fundamentalism in the United States. In my own way, I’m still searching for some kind of communion or absolution.

q)When growing what was the greatest force pushing you towards art?

a)I’m really not sure. Probably genetics. In my family, it was always said that I was the only artist, and wasn’t that amazing. But as I’ve gotten older I’ve discovered that I had a great, great grandparent who did realistic portraits, which my grandparents hung in their living room when they were discovered. I found out that my grandpa used to draw, and then my grandma showed me some old cartoons she drew, which she’s quick to dismiss, but are quite well drawn. When my cousin was twelve or so, she painted a Bob Ross-esque landscape, which she learned one day in a class. To my knowledge that’s the only painting she’s done, and it looks as professional as anything you might come across in a storefront gallery in Santa Fe or somewhere. No one in my family attributes any artiness to anyone but me, but in fact it’s been pervasive throughout our history. It’s always been there in the background. I just formed a habit out of it.

q)Were you inspired/encouraged by any one person to pursue your craft?

a)I was very fortunate to have been encouraged by a number of people when I was young, from my parents to my teachers. By the time people started telling me I was weird or disturbed, it was too late. It was already habit, and I was old enough to understand that it was easier for people to dismiss something odd than to try to understand it.

q)How would you describe your art to someone who could not see it?

a)I hesitate to do so because no matter how you describe it, the person cannot possibly imagine exactly what you’re trying to describe. If I had to, I might say something like, “I do messy, violent oil paintings of people in situations of unexpected inward conflict based on contemporary religion in America.” But that isn’t really very helpful in forming a picture.




q)Are certains colours,shapes that you’re drawn to?

a)Sure. But it changes all the time. My favourite oil colours at the moment are transparent maroon, brown pink, and ice blue. As far as shapes, I like both sharp edges and curves that happen quickly.

q)What other talent would you like most to have?

a)One of my biggest regrets is that I’m not a musical person. I wish I could play piano like my wife. Also, I love percussion. I do a terrible beat box in the car since our stereo was stolen.

q)What’s your favourite mediums to work in/on?

a)As far as paintings, I prefer oil. In The Boy Who Made Silence, I’ve been working in watercolor and ink. The only medium I find to be yucky is digital painting, which I also sometimes do.

q)What artists influence or have influenced you(these need not be visual artists)and how have they done so?

a)There are so many. But since I’m currently working on paintings for my show at the Mina Dresden Gallery and my comic book series The Boy Who Made Silence, I’ll stick to painters and cartoonists.

Painters—Willem de Kooning, Jenny Saville, Francis Bacon, Cecily Brown, my friends Kim Weinberg (

www.kimweinberg.com) and Mike Ritch (www.mikeritch.com), my former teacher David Christiana (www.davidchristiana.com) Gottfried Helnwein, Courtney Reid, Lucien Freud, Giacometti’s drawings, Egon Schiele, Gunter Brus (performance, video), Basquiat, Henry Darger, Mark Rothko, Gustav Klimt, Edvard Munch, Nathan Oliviera, Frieda Kahlo, Kiki Smith (sculptor, drawer, installations).

Cartoonists—Sam Kieth, David Mack, Dave McKean, Daniel Clowes, Craig Thompson, Art Spiegelman, Chris Ware, Tomer Hanuka, Toby Cypress, Greg Ruth, Kent Williams (who’s probably more of a painter, but I love his comic book art too), Joann Sfar, Gipi, Paul Hornschemeier, Paul Pope and lots more who I’m forgetting.



q)What non-visual art interest you and does this have an impact on your art?

a)All of it. Film, music, stage, fiction, poetry, dance, politics, science, philosophy, religion. . .they all impact my work to various degrees.

q)What do you think about artists using the Internet as a forum for sharing their work?

a)It’s absolutely essential.

q)What is your favourite toy,game or other artefact from your youth(and do you still own it)?

a)I liked action figures in general. I liked to set up the He-Man castle and have action figure fights with my dad. But I don’t own them anymore.

q)Got any new projects planned?

a)If you mean “new” as in I haven’t started working on them, yes, but it’s not time to talk about about it in detail. But to say just a little bit, we just lost our apartment and my studio to arson, and are temporarily staying with friends, while I work in a shared space with artist Micah LeBrun (

www.micahlebrun.com). The inside of the building is gorgeous in the way that it’s had a complete metamorphosis. The way the light hits the blackened doorways and staircases. . .all this new texture that wasn’t there before. There’s a lot to be explored with the camera and paint.
And scripts. I have scripts.

If you mean “new” as in I have started working on it, then I suppose The Boy Who Made Silence might count. Even though it’s taken several years to get an inch, circumstances have made it difficult to get as far as I would have liked. However, it’s full speed ahead now, and I’m thrilled about that. I will probably be working on it for the next couple years.

q)What advice can you give to other artists to help them improve their chances of survival in this global village we call our home?

a)Get renter’s insurance.



q)Favourite books/authors?

a)Since you ask, Kurt Vonnegut just died yesterday. He was one of my favorite writers in the world. If anyone reading this hasn’t read anything by Vonnegut, it’s imperative that you read Slaughterhouse Five. Then move on to any of his other books.

These other books come immediately to mind.

Everything ever written by Flannery O’Connor
Lord of the Flies—William Golding
Nine Stories—J.D. Salinger
Franny and Zoey-J.D. Salinger
As I Lay Dying—William Faulkner
Bastard Out of Carolina—Dorothy Alison
Brief Interviews with Hideous Men—David Foster Wallace
Extremely Loud and Incredibly Close—Jonathon Safron Foer
Wind-Up Bird Chonicle—Haruki Murakami

q)Favourite music?

a)I guess it’s lists today.

I’m going to see Bjork next month, which I’m really excited about. I bought tickets for my wife’s birthday. So that’s on the top of my mind. Actually, I’m pooped out on lists. Lately, I’ve been listening to Bob Dylan, CocoRosie, Miles Davis, PJ Harvey, Damien Rice, and others. They’re favourites for now. Oh yeah, and that song Surabaya Johnny from the musical Happy End that was written Kurt Weil. I love that song, and I’ve been listening to that again after a long time away. I have a character from another script that I haven’t drawn yet whose name is Ahwatukee Johnny, inspired by the song. Ahwatukee is the Phoenix suburb I lived in.



q)What do you fear most?

a)Irrelevance. Meaninglessness.

The Super 7 Store in San Francisco recently rejected The Boy Who Made Silence because, on the back, it mentions that the main character, Nestor Gudfred’s search for his father becomes a search for God. They took issue with the term God, despite the fact that they had positive things to say about the artwork, which is how I assume they judge all the other art books and zines they sell—by artistic merit. They never read it before rejecting it. It’s a bizarre form of bigotry that I don’t understand completely, but it plays into something I see a lot in San Francisco lately.
Places like the Super 7 Store are the arbiters for what’s considered hip. They have their thumb on the pulse of what urban 20-30 year olds find interesting in terms of art and culture, and they also have a role in dictating taste. The implication is that essential questions of meaning are not hip. In contrast, you’ll find a lot of quasi-clever, smart-ass irreverence to the point that what you see coming out of this culture is rehashed, unoriginal, fashionably ironic, meaningless novelty. I don’t mind sounding cranky in order to express my opinion to my full ability.
I fear that I might be spending all my time doing something, which in the end, is meaningless to people around me, while at the same time I fear being the guy in a crowd who doesn’t understand why the latest shoes in the store window are so important. I hate having to pretend that they’re important just to feel like I’m a part of something.

It appears that I might fear rejection also.

And crusading American foreign policy.

And over-enthusiasm. Especially in church.

And groupthink.

And poverty.

And when people touch their fingertips together, which makes my own fingertips feel itchy for a long time afterward. Which is a pretty stupid thing to fear.


q) Your contacts…

a)Can you plug these things?

The Boy Who Made Silence at

www.5minedfields.com
official release April 21, pre-ordering available now
Will be promoting it at my booth at the Alternative Press Expo
Concourse Exhibition Hall, San Francisco

“Bring us Rapture” solo show and book release party at Mina Dresden Gallery
opening reception: April 21, 8-11pm
www.joshuahagler.com

Wednesday, April 11, 2007

Interview with Steph Davidson

q)Tell me something about yourself..What's your background...?

a)I grew up in Toronto and I went to university in London Ontario for Media Studies and Visual Arts.

q)When growing what was the greatest force pushing you towards art?

a)I was always drawing somewhat compulsively, maybe out of boredom.

q)Were you inspired/encouraged by any one person to pursue your craft?

a)My grade 5-7 art teacher encouraged me a lot.

q)How would you describe your art to someone who could not see it?

a)I'm not sure it's pretty all over the place.
q) Are certains colours,shapes that you're drawn to?

a)I like angular shapes and dense drawings.

q)What other talent would you like most to have?

a)I'd like to play the ukulele, or the ukulele's distant cousin, the banjo ukulele.

q)What's your favourite mediums to work in/on?

a)I really like oil because it's so easy to blend and thick. Oil on top of a flourescent gessoed wood or masonite is nice. Acrylic wise Turner Acryl Gouache is good, or tins of latex mistints from Home Depot arealright. Also ballpoint pens or cheap fountain pens filled with india ink.

q)What artists influence or have influenced you(these need not be visual artists)and how have they done so?

a)Some of my favourite practicing artists are the Oh Billy Art Squad, MayaHayuk, Paperrad, Andrew Jeffrey Wright, Seripop, Shary Boyle, Neckface,James Jean, Kevin Llewellyn, Brandon Haney, Ryan Foerster, and Dan Clowes,but there are a ton more. They're all pretty prolific which I admire. I'm also in to a lot of Neoclassical art, comic book art, old etchings and medical drawings etc.

q)What non-visual art interest you and does this have an impact on your art?

a)I guess I'm in to music, I've amassed a lot of MP3s. I'm not sure how that influences my art though.

q)What do you think about artists using the Internet as a forum for sharing their work?

a)I think the internet is awesome. I'm all for democratic media. Not that the internet is really democratic, but it tries.

q)What is your favourite toy, game or other artefact from your youth(and doyou still own it)?
a)Once I bought a $10 cd rom of hundreds of amazing shareware games at Radioshack. It had Aquanoid, MinerVGA, Hugo's House ofHorrors, everything.

q)Got any new projects planned?

a)Not really, except I want to learn how to airbrush really badly.

q)What advice can you give to other artists to help them improve their chances of survival in this global village we call our home?

a)I suppose try and see as many shows as possible, meet as many artists as possible, and make a myspace page or something.

q)Favourite books/authors?

a)I haven't read an actual book in a while which is pretty bad, I end up spending my money on art books like Nog a Dod, Kramers Ergot, or Cartoon Modern, or instructional books. But some books I have read that I like include The Rebel Sell by Joseph Heath and Andrew Potter, and basically anything by Jean Baudrillard. Oh I read Ice Haven last week.

q)Favourite music?

a)I really like Crystal Castles. Also there's another band from Toronto called Blood Ceremony who are amazing.

q)What do you fear most?

a)My number one fear is centipedes/spiders, then maybe social awkwardcy, or getting robbed.

q) Your contacts.

Tuesday, April 10, 2007

Interview with Espira

q)Tell me something about yourself..What's your background...?

a)Just a humble Mormon farmer boy who escaped from his closed community out into the big wide world. The road led to London where I reside as a starving artist.
q)When growing what was the greatest force pushing you towards art?

a)Boredom in Church. It drove me to draw obscene caricatures of the congregation on the back of smuggled in toilet tissue.

q)Were you inspired/encouraged by any one person to pursue your craft?

a)My art teacher had a terrible taste in Art and always hated what I did. She introduced me to all kinds of awful artists. I just thought, 'I can do better than that.' I guess that was quite inspirational in an unintentional way.

q)How would you describe your art to someone who could not see it?

a)Like an adolescent's wet dream.

q)Are certains colours,shapes that you're drawn to?

a)There are certain colour and shape combinations that work like magic together, and are just as powerful as the actual object in a picture. I'm always drawn to the classics... theres a purity in that.

q)What other talent would you like most to have?

a)Remember a joke.

q)What's your favourite mediums to work in/on?

a)Computers really. I'm trying to prove that machines don't always do the work for you.


q)What artists influence or have influenced you(these need not be visualartists)and how have they done so?

a)My favourite artists at the moment are .. Gottfried Helnwein, Ray Caeser, Matthew Barney, Heather Nevay, Francis Bacon, Gilbert and George.

q)What non-visual art interest you and does this have an impact on your art?

a)I'm really into music. Especially loud Rock and roll. It gets my juices flowing. I'm always listening to music as I work ,most of the titles from my pictures are strange references to song lyrics...

q)What do you think about artists using the Internet as a forum for sharingtheir work?

a)It's great .. Anything to get your work out into the world and out of the bedroom.

q)What is your favourite toy, game or other artifact from your youth(and doyou still own it)?

a)I had loads of model aeroplanes when I was a kid, I got that hobby from my dad who was a war child. I still have most of them, and they all work their way into my pictures a lot.

q)Got any new projects planned?

a)Just working on funding for creating life-size sculptures with real intricate clothing.

q)What advice can you give to other artists to help them improve theirchances of survival in this global village we call our home?

a)Lock yourself away for a year and get good at what you do.

q)Favorite books/authors?

a)Paul Auster - he's a freak.

q)Favorite music?

a)Patti Smith

q)What do you fear most?

a)Dogs

q) Your contacts.